DELTA ALUMINUM TRIPOD SYSTEM The Cartoni Delta Aluminum Tripod System, comprised of the Delta fluid head and the ENG tripod, is designed to support ENG dockable camcorders equipped with large lenses or employed with EFP cameras. Features Aluminum Tripod System D600 Delta Head H601 1-Stage Heavy-Duty Tripod On-Ground Spreader Supports 48 lbs Fluid Damping System 10 Tension Settings Variable Counterbalance Numeric Reference Accommodates Offset Loads The Delta fluid head, features the award winning, patented fluid damping system ensures consistent drag levels and smooth camera movements throughout the range and allows perfect reproduction of 10 basic tension settings continuously adjustable in both pan and tilt modes. In addition an infinitely variable counterbalance with easily readable numeric reference, provides excellent performances at any tilt angle from 70 to 90 degrees. Designed to accommodate offset payloads such as long lenses, small prompters and top-mounted viewfinders The included Studio film-style twist lock aluminum or carbon fiber heavy-duty tripod, available in both single stage or two stage versions, provides for outstanding rigidity and robustness, for perfect pictures without jerks and vibrations under any condition.
The EOS M50 Mark II Mirrorless Digital Camera with 15-45mm Lens (Black) carries and builds on the strong performance of the popular EOS M50 with improvements that will be especially notable for content creators like vloggers and more. You still get the impressive image quality of the 24.1 Megapixel CMOS sensor, power of the DIGIC 8 image processor, 4K UHD 24p and HD 120p for slow motion video and more, along with some additional boosts. The autofocus locks onto the subject faster, and Eye Detection is improved so it recognizes the eyes and face further away. Eye Detection can now even be used during video with Movie Servo AF, and you can use both Eye and Face Detection during Servo AF. What you get is added versatility and stability to keep the subject(s) in focus and as the center of attention. For content creators, you can use the EOS M50 Mark II to livestream your content with built-in Wi-Fi, and use with EOS Webcam Utility software for an easy webcam alternative. When a different angle is needed, you can shoot vertically in addition to horizontally, and the camera even offers clean HDMI output for high-resolution, high frame-rate streaming. When it comes to content, whether stills or video, the EOS M50 Mark II goes far beyond letting you just scratch the surface of your vision. FEATURES: 24.1 Megapixel (APS-C) CMOS Sensor - The EOS M50 Mark II features a powerful 24.1 Megapixel CMOS (APS-C) sensor that can capture high-resolution images and 4K videos. The large CMOS sensor utilizes a sophisticated light-capturing design, helping to shoot images and videos with reduced noise, delivering clear, detailed results even in low light. It also enables fast continuous shooting and fast autofocus for high-speed performance that helps you capture once-in-a-lifetime moments.
Camera Body is the perfect tool for any photographer wishing to shoot both with a digital back as well as film. The can be mounted with lenses ranging from 23 mm to 210mm. , as well as are both working hard on the development of new lenses specifically designed for digital photography. During the development of decided to employ an integrated focusing system, in the body of the camera. They also integrated the tilt, or swing, mechanism into the body as well. Thus, there is no need to pay extra for the tilt/swing mechanism even for lenses as short as 23mm. The purchase price for the body includes these mechanisms as well as the grips, tripod mount, and ground lass. Furthermore, the helical mount of the is much more precise than traditional helical mounts as it s movements utilize a far finer pitch than supplied with most lenses of this type.
A water-cooled acousto-optic Q-Switch for use in high-power Nd:YAG laser systems. Combining top grade fused silica with high quality optical finishing and in-house anti-reflection coatings, this Q-Switch exhibits very low insertion loss and high damage threshold. Through an innovative design and manufacturing process, RF powers up to 100W may be applied. Standard options include a choice of frequencies (24 to 68MHz), active apertures (1 to 8mm), acoustic modes (compressional for linear polarisation, shear for unpolarised) and water connectors. Customised housings are available for OEMÆs.
A high power RF driver module is available in output powers of 50W, 75W or 100W. Powered from 220VAC or 110VAC, the modulation inputs allow either full digital control or activation of an internal pulse generator. First pulse suppression is automatically implemented.
Material BK7. Diameter tolerance -0.1mm . Thickness tolerance 0.1mm . Aperture >90%. Flatness l/4-l. Dig/scratch 60-40 .
Ultraviolet inks and technologies We manufacture and trade in a wide range of ultraviolet inks and technologies for the optical disc, printed circuit board, label printing and membrane switch industry.
Gold-coated and ceramic pump chamber
Contrary to popular belief, a super telephoto does not have to be a massive lens, proven here with the Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR. Taking exceptionally long reach and giving it a hand-holdable form factor, this 500mm prime utilizes a unique Phase Fresnel element to greatly reduce the size and weight compared to previous versions of the focal length. This PF element, along with three extra-low dispersion elements, also helps to virtually eliminate color fringing and chromatic aberrations in order to achieve a high degree of clarity, sharpness, and color fidelity. Complementing this advanced optical design, individual elements also feature both Nano Crystal and Super Integrated Coatings to suppress flare and ghosting, as well as a protective fluorine coating to guard the optical system from dust and moisture.
Spanning a long, versatile zoom range, the AF-S NIKKOR 200-500mm f/5.6E ED VR Lens from Nikon is a telephoto zoom characterized by a constant f/5.6 maximum aperture for consistent performance throughout the zoom range. The optical design incorporates three extra-low dispersion glass elements to reduce chromatic aberrations and distortions for increased sharpness and color accuracy. Also contributing to improved image quality, a Super Integrated Coating has been applied to lens elements to lessen flare and ghosting for improved contrast and clarity. A Silent Wave Motor AF system produces fast, near-silent focusing performance that suits both stills shooting and movie recording, which can instantly be manually overridden by simply turning the manual focus ring. Further contributing to photographing in fast-paced situations and difficult lighting, VR (Vibration Reduction) image stabilization compensates for the effects of camera shake by up to 4.5 shutter speed stops. Additionally, an electromagnetic aperture mechanism is integrated into the lens design to provide greater exposure control stability that is especially beneficial when working with faster continuous shooting rates.
A truly versatile wide-angle zoom featuring an advanced optical design and constant f/4 maximum aperture, the Canon EF 11-24mm f/4L USM Lens is a member of the esteemed L-series of lenses designed for full-frame EOS DSLRs. One Super UD element and one UD element offer a significant reduction in chromatic aberrations while four aspherical elements help to minimize distortions throughout the zoom range and provide consistent edge-to-edge sharpness and illumination. Both SWC and ASC coatings have been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy. Ideally suited for landscape and architectural photography, this lens covers ultra-wide to wide-angle perspectives and backs up its versatile zoom range with sophisticated optical components and intuitive handling.
Prized for event, portraiture, and sports shooting, the Canon EF, Nikon F and Sigma SA mount Sigma 70-200mm f/2.8 DG OS HSM Sports Lens is a flexible telephoto zoom characterized by its bright and sophisticated design. The fast constant f/2.8 maximum aperture excels in difficult lighting conditions and also offers increased control over depth of field for isolating subjects. In regard to the optical layout, an impressive 10 low dispersion elements are used to greatly reduce chromatic aberrations and color fringing for improved clarity and color accuracy. A Super Multi-Layer Coating is also featured, and helps to suppress ghosting and flare when working in strong lighting conditions. Complementing the optics is an Intelligent OS system, which minimizes the appearance of camera shake for sharper results when shooting handheld. A Hyper Sonic Motor is also used to provide quick and quiet autofocus performance along with full-time manual focus override. The physical design of the lens also incorporates several seals to guard against dust and moisture, and a water- and oil-repellent coating has been applied to the exposed elements to prevent moisture, fingerprints, or smudges from sticking to the surface. Additionally, a fixed rotating tripod collar is featured, and has a removable Arca-type compatible foot for wide compatibility with different tripod or monopod heads.
A fast telephoto prime, the Nikon F, Sigma SA and Canon EF-mount 135mm f/1.8 DG HSM from Sigma pairs bright and sophisticated optics with intuitive handling and design. As part of the Art line of lenses, this 135mm f/1.8 is designed for high-resolution rendering, and utilizes FLD and SLD glass to control chromatic aberrations and color fringing for notable clarity. A Super Multi-Layer Coating also enhances image quality by suppressing lens flare and ghosting for improved contrast and color fidelity in strong lighting conditions. Additionally, making it an ideal lens for portraiture, the bright f/1.8 maximum aperture pairs with a rounded nine-blade diaphragm to benefit selective focus and shallow depth of field imaging with smooth bokeh. Complementing the imaging capabilities, the lens sports a Hyper Sonic Motor to produce quick, smooth, and quiet autofocus performance with full-time manual focus override. The physical design utilizes Thermally Stable Composite material for durability in a wide range of environments, and a brass bayonet mount also offers rigidity and mounting precision. As part of the Art line within Sigma's Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications. Prime telephoto lens is designed for full-frame Canon EF-mount DSLRs, however can also be used on APS-C models where it will provide a 216mm equivalent focal length. Bright f/1.8 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniques. Two F Low Dispersion (FLD) and two Special Low Dispersion (SLD) elements are featured in the optical design, and help to reduce color fringing and chromatic aberrations for improved clarity and color accuracy. A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions. Nine-blade rounded diaphragm contributes to a smooth and pleasing bokeh quality. The integrated HSM (Hyper Sonic Motor) realizes quick and quiet autofocusing, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time. The lens is constructed using a Thermally Stable Composite (TSC) material, along with traditional metals, for greater precision and use in wide temperature variations. The bayonet mount is constructed from brass for ensured accuracy and durability. Additionally, rubber sealing is incorporated in the mount design to render it dust- and splash-resistant. This lens is compatible with the optional Sigma USB Dock for fine-tuning different lens characteristics and updating its firmware.
An impressive ultra wide-angle prime, the EF 14mm f/2.8L II USM is a Canon L-series lens well-suited for landscape, nature, and interior photography applications. Its relatively bright f/2.8 maximum aperture is well-suited to working in difficult lighting conditions and also makes this lens an ideal choice for astrophotography. The optical design incorporates two aspherical elements and two ultra-low dispersion elements to control both spherical and chromatic aberrations in order to realize a high degree of sharpness, clarity, and color accuracy. A Super Spectra coating has also been applied to suppress flare and ghosting for increased contrast and color fidelity when working in backlit and harsh lighting conditions. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying climates. Ultra wide-angle 14mm prime is compatible with full-frame Canon EF-mount DSLRs, as well as APS-C-sized models where it will provide a 22.4mm equivalent focal length range. Bright f/2.8 maximum aperture benefits working in low-light conditions and suits astrophotography applications. Two ultra-low dispersion elements are used to minimize chromatic aberrations as well as eliminate color blurring around the edges of subjects. Two aspherical elements help to minimize distortions and spherical aberrations in order to maintain edge-to-edge sharpness and illumination. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions. Built-in lens hood helps to block stray light and also protects the bulbous front element. Lens's design accepts rear insert-type gelatin filters, which are cut-to-size and inserted behind the rear lens element.
Blending a compact form factor with versatile performance, the Nokton Classic 35mm f/1.4 II MC from Voigtlander is a fast wide-angle prime designed for M-mount rangefinder cameras. This updated, version II of the lens features a symmetrical optical design with one abnormal partial dispersion element, which retains the distinct character and high color accuracy rendering of the original, but also reduces curvature of field and astigmatism for improved focusing accuracy and more even sharpness across the entire image plane. This lens also features a multi-coating to suppress lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions. Its manual focus design permits working with subjects as close as 2.3' away and a 10-blade diaphragm contributes to a pleasing bokeh quality to suit working with shallow depth of field. Focal Length 35mm Maximum Aperture f/1.4 Minimum Aperture f/16 Lens Mount Leica M Angle of View 63�° Minimum Focus Distance 2.3' / 70 cm Optical Design 8 Elements in 6 Groups Diaphragm Blades 10 Focus Type Manual Focus Filter Size 43 mm (Front) Dimensions (¸ x L) 2.2 x 1.1" / 55 x 28.5 mm Weight 6.67 oz / 189 g
