Valmiki's Ramayana is a wonderful narration of the pastimes of the Supreme Lord in His form as Lord Ramachandra. Queen Sita and Lord Rama face immense misfortunes, temptations and obstacles with equipoise, steadiness, courage and determination. This rendition accurately conveys the timeless spiritual knowledge and wisdom which served Sita and Rama so well and by which we also may overcome the challenges and obstacles in our own lives.
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100% Hand carved Ramayana/Mahabharata 150*60CM 3D carved
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Wine bag - Used for gift wine packaging
Hand bags, gift , food & wine packaging bags, textiles & handicrafts.
Smart phone, PDA, tablet PC.
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Cloths, fashion jewelleries.
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Ethical books like ramayana, mahabharata, japji saheb, hanuman chalisa.
Price - Rs 8,999.00 Type: Hanuman Ji Murti Religious & Figurine Material: Brass Suitable For: Table Dimensions: H 11.4 x L 4.5 x W 4 Weight: 3.04 Kg Unveiling the Divine Power : The Magnificence of the Brass Hanuman Ji Murti by Shreeyaash In the domain of otherworldly dedication and heavenly association, scarcely any idols hold as much importance as the Brass Hanuman Ji Murti made by Shreeyaash. This unprecedented show-stopper catches the quintessence of Ruler Hanuman, the encapsulation of solidarity, dedication, and immovable confidence. In this article, we dig into the significant imagery and profound effect of this magnificent brass idol, investigating its highlights, craftsmanship, and the heavenly characteristics it addresses. The Mighty Hanuman: Exploring the Legends and Significance of the Hanuman Ji Murti Hanuman is referenced in a few Vedic works of writing like the Ramayana, Mahabharata, and Srimad Bhagavatam. He is the dearest aficionado of Master Ramachandra, the Preeminent Character of Godhead. He is constantly participated in the assistance of the Master and the Ruler generally pays special attention to Hanuman each second. Hanuman Ji Murti is in many cases portrayed destroying his chest and a picture of Ram and Sita is seen which implies that He is constantly caught up in the supernatural contemplations of Shri Sita Ram. In the Vaishnava customs or Sampradayas, Hanuman assumes a gigantic part in the otherworldly existence of a Sadhaka. Without getting the leniency of Hanuman, nobody can draw nearer to Master Ram. He is the actual exemplification of commitment and devotion. Hanuman Ji Murti has a monkey like structure and is gave with phenomenal powers and capacities. In any case, He doesn't utilize his powers to show to other people, rather, he involves them in the assistance of Sita and Ram. The aficionados of Ram generally continue in the strides of Sri Hanuman to become earnest workers of the Master
Pattachitra is a traditional work of art mixed with society components. The craftsmanship started quite a while back and incorporates scroll painting on bits of fabric. The canvases for the most part portray the accounts of Ramayana and Mahabharata. Aside from the accounts, the works of art of Hindu divinities are additionally very famous. Pattachitra Just normal colors and colors are utilized in the making of Pattachitra. The province of Odisha is the spot to buy these handiworks in India
Wood welcome rama Details : Material: wood Country of origin: indonesia Approx. Weight: 5lbs. Shipping dimensions: 11"w x 34.5"l x 12"h Ntricately handcarved and handpainted wood figure is representative of the thriving tradition of carved artifacts found in the culture of the indonesian island of java. Inspired by ramayana history, he represents rama, the reincarnation of vishnu who was exiled for 14 years so that his half-brother could have the throne. Placed on the wall near the front door of the home, he symbolizes the love and joy the ayodhya people had upon the return of their rightful king. Mounts on wall. 62.5''h. Price is usd 40 Shipping dimensions: 11"w x 34.5"l x 12"h
Indian Wood Inlay / Marquetry is the process of decorating the surface of wood by setting in pieces of material such as ivory (traditionally), bone, plastic, shell or wood of different colours. Products with inlay include doors, jewellery boxes, plates, boxes, bowls, cigarette cases, and figures of animals, especially elephants. This craft form was brought to India from Persia in the 18th century. Mysore is home to heritage structures beautifully adorned using wood carvings with inlay work. Royal Indian processions, landscapes, pictures of Gods and Goddesses, scenes from the Mahabharata and Ramayana are depicted using shade effects in this craft. Main clusters: The craft is concentrated in Mysore and Bengaluru in Karnataka. Other places where this craft is practiced are Bijnor, Punjab, Saharanpur, and Uttar Pradesh. Artisans involved: As reported in 2005, the craft involved over 2,000 artisans in Mysore cluster61. Raw material used: Maadi, lac, champa, yellow fanas, dark red rosewood along with Plastic and bone, is used for inlay work62. Rosewood is sourced From auctions at Kushanagar, Tithimathi and Dandeli. Fibre boards are also used to cut down on the cost. Different color woods like white cedar, chill pine, rubber wood, red sandal, jackfruit wood etc. are used to add multiple colours to the art piece. A mixture of wax and charcoal is used to fill fine details.
Indian Folk paintings are pictorial expressions of village painters which are marked by the subjects chosen from epics like Ramayana and Mahabharata, Indian Puranas as well as daily events. There are several vibrant folk painting types in India in different stages. They are distinctively different. The styles are related to their folk mythology. Main clusters: The Gond tribe of Madhya Pradesh is engaged in floor and wall painting. Warli is vivid expression of daily and social events of Warli tribe in Maharashtra. Rajasthan is famous for Phad painting done on cloth. Other types of paintings are Pithora painting in Gujarat and Madhya Pradesh, Madhubani painting of Bihar, Chitrakar painting of West Bengal, Patachitras in Orissa, and Kalamkari in Srikalahasti (Andhra Pradesh). Artisans involved: Raw material used: All the different types of folk painting mainly use mineral colours and Homemade canvases, if not drawn on walls and floors. Painting on walls and floors is done with help of white rice paste, ochre or yellow earth colours. Different sands are used to prepare the base for the paintings, geru, kali mitti, etc. Pithora art requires clay, and designs made from grains, herbs, spices, etc. The paintings may be made on canvas, paper and cloth surfaces.
As the name suggests, miniature paintings are colorful handmade paintings very small in size. One of the outstanding features of these paintings is the intricate brushwork which contributes to their unique identity. The colors used in the paintings are derived from various natural sources like vegetables, indigo, precious stones, gold and silver. While artists all around the world convey their respective theme through their paintings, the most common theme used in the miniature paintings of India comprises of the Ragas or a pattern of musical notes, and religious and mythological stories. Miniature paintings are made on a very small scale especially for books or albums. These are executed on materials, such as paper and cloth. The Palas of Bengal are considered the pioneers of miniature painting in India, but the art form reached its zenith during the Mughal rule. The tradition of miniature paintings was further taken forward by the artists of various Rajasthani schools of painting, including the Kishangarh, Bundi Jaipur, Mewar and Marwar. The decline of the Mughal miniature paintings resulted in the rise of the Rajasthani School. Rajasthani School of painting can be further divided into various schools depending on the region they were created in. The Mewar School, Marwar School, Hadoti School, Dhundar School, Kangra and Kullu Schools of art are all part of Rajasthani School of painting. Like the Mughal Emperors, the Rajput rulers were also lovers of art and gave their patronage to miniature paintings. Each Rajputana kingdom had its own distinct style with a few common features. Apart from depicting stories from the Ramayana and the royal lifestyle of kings and queens, Rajasthani miniature paintings often portrayed the legacy of present and past rulers. They also portrayed social values and the changes introduced by kings for the betterment of society. The background of the paintings formed a special feature of the Rajasthani school. Colors used were often bold and contrasting in nature. Natural colors, extracted from plants, minerals, shells, gold, silver and precious stones, were used. The preparation of colors itself would often take weeks and only fine brushes were used. The difficult art of miniature painting still exists in Rajasthan where the painters often use paper, ivory and silk as their canvas. However, natural colors are no longer used as they have been replaced by artificial colors.
