Designed as the perfect Partner to the Marantz AV8802A processor it,s 7 channels deliver 150W (8 ohm) of RMS power (20Hz-20kHz). Designed for the ultimate music and movie surround sound experience, the MM8077 7-channel power amplifier is equipped with the same amplifier technologies that are incorporated in our reference class hi-fi amplifiers, including our unique current feedback discrete power amplifier stage design, which features a high slew rate that provides a wide bandwidth for the utmost enjoyment of today,s high resolution audio formats. All output stages feature identical topology for uniform high quality sound across all channels, and the MM8077 provides the option to choose between balanced (XLR) and unbalanced (RCA) inputs for each channel, for maximum system configuration flexibility. High current, high bandwidth discrete power transistors can handle short term musical bursts with aplomb, even into difficult low impedance speaker loads. 7x 150W (8 ohm), 7x 180W (6 ohm) RMS power (20Hz-20kHz) Current feedback discrete power amplifier High current power supply with toroidal power transfomer Marantz reference-grade power supply filter capacitors and high speed, high current discrete power transistors Low impedance continuous drive capability Highest sound quality design based on pure surround philosophy Copper plated chassis Gold plated, high grade speaker terminals Flasher input, DC trigger (in/out), Remote control (in/out)
Electronic specifications Total harmonic distortion 0.0015% Frequency response +/-0.5db from 4hz to 20, 000hz +0.5/-3db from 4hz to 68, 000hz (source dependent) Maximum volts out (balanced / unbalanced) 16/8 v rms Input impedance (balanced / unbalanced) N/a Phono voltage gain N/a High level voltage gain N/a Signal to noise ratio 110db Dual mono power supply No Dual mono, fully balanced Digital, fully balanced Connectivity Balanced inputs 0 Unbalanced inputs 0 Phono moving coil input 0 Phono moving magnet input 0 Digital coaxial input 2 Digital optical input 2 Digital mct (din) input 1 Digital usb input 1 (2.0, 32/192 asynchronous) 44.1khz to 384khz, 32-bit (pcm) dsd64, dsd128, dxd352.8khz, dxd384khz Digital aes/ebu input 0 Balanced fixed outputs 1 stereo Balanced variable outputs 1 stereo Unbalanced fixed outputs 1 stereo Unbalanced variable outputs 1 stereo Headphone output 1/4â?³ high drive Record processor loop No Input level match No Home theater pass through No Control Tone controls No Tone bypass and input assign No Rs232 control input No Power control output 1 Rear panel data ports 1 Rear panel ir sensor input Yes General specifications Multi-chassis or single Single Output meters No Tube or solid state Solid state On, power consumption 30 watts Weights & dimensions Dimensions (w x h x d) 17.5â?³ (44.45cm) x 3-7/8â?³ (9.8cm) x 16â?³ (40.64cm) Weight 13.5 lbs (6.1kg) Shipping weight 28 lbs (12.7kg)
2-Channel Phono Preamplifier Moving Coil & Moving Magnet inputs Analog outputs + USB for ripping to computer The MP100 is the first dedicated phono preamplifier from McIntosh and is designed to help both new and experienced vinyl lovers get the most fidelity, performance and most importantly enjoyment from their albums. Like all McIntosh products, the MP100 is packed with features designed specifically for the vinyl lover including: Moving Coil and Moving Magnet inputs; Moving Coil and Moving Magnet adjustable loading (6 settings each); balanced and unbalanced analog outputs; optical, coax and USB digital outputs; and a Mono switch for when playing mono records to decrease noise and play the signal correctly. There are many ways to integrate the MP100 into your audio system. If youre new to vinyl and just building your system, it can become the main part of your setup. Or if you already have a system with an older preamp you dont want to part with, the MP100 is an excellent way to add modern phono features. If youve got a home theatersystem and would like to add a turntable, the MP100 is an easy way to add full phono preamp capabilities without having to get a full-sized stereo preamp that would undoubtedly duplicate many of your home theater processors features. While spinning vinyl on a turntable is a great and unique way to enjoy music, theres no denying the convenience of having digital versions of the albums. When used with a properly configured conversion program, the MP100 can rip the records to a computer via USB to produce high quality digital files. The digital outputs are fixed at 24-bit/96kHz to capture the full dynamic range of a record while optimizing digital file size. If an album has a very loud section, the clipping indicator will alert you so you can lower the digital output in order to produce a distortion-free recording. Compact in size at just 3 tall, it has many ageless McIntosh design cues. It shares the same 11.5 narrow chassis design as the MXA70 Integrated Audio System, MHA100 Headphone Amplifier and MB50 Streaming Audio Player to help build a cohesive system. It can also easily be added to a system comprised of standard, wider width chassis.
For music enthusiasts who wont accept compromise, the reference RC-1590 preamplifier is in a class by itself. The Rotel RC-1590 stereo preamplifier has been engineered to the highest audio performance levels and provides an incredible level of control and flexibility for the user. Starting with a high performance power supply consisting of two Rotel custom built toroidal transformers for maximum efficiency and low magnetic fields, these transformers provide low-noise isolation between the analog and digital signals. They are part of a reference-grade power supply consisting of individual analog and digital regulator circuits with custom-made slit-foil capacitors. Slit-foil capacitors have very quick charge/discharge times and low signal loss ensuring tight bass performance. Rotel engineers wanted to create a reference quality stereo preamplifier to match with our new RB-1590 stereo power amplifier. Every aspect of component selection and circuit topography was designed and carefully evaluated during multiple listening sessions to ensure the highest fidelity. For example, analog and digital circuits were designed separately, by specialized Rotel teams. Analog inputs are all very low noise circuitry and include a high performance moving magnet phono stage. Digital inputs are fully isolated and feature a precision 32bit 768KHz Digital to Analog Converter (DAC). The RC-1590 is fully feature-laden with Balanced XLR and Unbalanced RCA inputs and outputs, a TI precision volume control IC, a fixed volume line output, dual mono subwoofer outputs, digital outputs (Coax and Optical), digital inputs (3 Coax and 3 Optical), Aux, CD, and Tuner analog inputs, Internal APTX Bluetooth (supports APTX and standard Bluetooth) with rear mounted external antenna, a front USB iPod with 2.1A charging input, and rear panel PC-USB 24bit 192KHz input supporting DSD (Windows) and DoP (MAC computers DSD over PCM). Other essential features include a remote control, 2 x 12-volt trigger outputs, a dimmable display, an automatic power off function (configurable), RS232 and IP control for automation system integration, Internet based software updates, Rotel Link connection, a detachable IEC power cord, an external IR remote input, and a front mounted 3.5mm headphone output jack. For music enthusiasts who wonâ??t accept compromise, the RC-1590 preamplifier is in a class by itself, at a price that belies its incredible performance. 80 dB 110 dB >75 dB >75 dB 20Hz 20kHz, (±0.5 dB, Max) 90 dB SPDIF LPCM (up to 192kHz 24bit) USB Audio Class 1.0 (up to 96kHz 24bit) USB Audio Class 2.0 (up to 192kHz 24bit)* *Driver installation required DSD Replay native or DoP 120 V, 60 Hz 230 V, 50 Hz 25 watts.
A Valve Pre-Amplifier to meet the highest standards. Inside, the 4x12AX7 and 3x12AU7 valves provide the perfect pre-amplification for weak signals. The circuitry with its negative feedback design is the optimum of linearity and sound. Gold-plated high-grade Neutrik XLR input and output connectors take the relevant cables, giving the best possible quality, and they guarantee a clean sound. Frequency response: 20 Hz 50 kHz +/- 0.5 dB, Output voltage: 2V Total harmonic distortion: < 0.1 % (1 kHz, 1 Watt) Input sensitivity: 240mV, Signal-Noise ratio: > 90 dB Input impedance: 47 kOhm, Inputs (golden): 4 x RCA, 2 x XLR NEUTRIK Outputs (golden): 2 x RCA, 1 x RCA Rec Out, 1 x XLR NEUTRIK Power Control Switched output voltage: 2 x Trigger 12 V (Output) Mains supply: 230 V/50 Hz, Weight: 10 kg Dimensions (WxHxD): 430 x 135 x 370 mm, Colour: black/silver Tubes: 4 x 12AX7, 3 x 12AU7, double transformer A valve Pre-Amplifier to meet the highest standards. Inside, the 4x12AX7 and 3x12AU7 valves provide the perfect pre-amplification for weak signals. The circuitry with its negative feedback design is the optimum of linearity and sound. Gold-plated high-grade Neutrik XLR input and output connectors take the relevant cables, giving the best possible quality, and they guarantee a clean sound.
Real analog sounds created with reference to classic rhythm machines Maximum effect from minimal parameters - a unique advantage of analog Pcm sound engine expands possibilities when used with analog sounds Loop sequencer distilled from the electribe series The electribe series step sequencer Stutter function generates repeated triggers that dramatically change the sequence Active step function generates new bass lines by removing or inserting steps. Step jump function instantly plays only the step you're pressing Convenient functions for incredible ease of use Sync jack and midi in connector allow synchronized performances with multiple units or with your daw Compact size, battery-powered operation, and built-in speaker for enjoyment anywhere.
The layout of the XDJ-RX2 has also changed in a way that brings it more in line with the Pro CDJ and XDJ units. The mixer section has also been rearranged to more accurately represent the layout of the DJM-900NX2 and other pro DJ mixers, and is very similar to the DJM-450. Any DJs using a pro Pioneer setup when playing out in the club and then using the XDJ-RX2 for practice at home won't have to think twice anymore when finding the features they want - everything will be second-nature. Changes to the layout include: Cue buttons are now placed above their respective channel and a master cue button has been added. Master and booth levels are now at the top of the mixer section The browse knob and buttons have been moved to the right-hand side of the touchscreen The Browse/Tag List/Info/Menu buttons have been moved above the touchscreen Hot new features you can expect from the XDJ-RX2 are: A 7-inch full-colour touchscreen, in-line with the XDJ series 8 performance pads on each deck, in-line with the DDJ controller series - these can be used for tactile control of 8 Hot Cues, Beat Loop, Slip Loop and Beat Jump. A parameter knob enabling you to control the sound colour effects Track filter, short cut and QWERTY keyboard features can be used to search for tracks Needle search via the touch screen Beat FX controls have been added There are now 2 MIC inputs
Yes, hd32a is a portable, powered speaker - but we like to think of it as more of a portable weapon! like other members of rcf's hd powered speakers (hd10a, hd12a), you can plug a microphone directly into the back of this one. By using a pair of these as your front of house speakers, you'll be doing just fine. With 1400w peak power delivering 131 db max spl, the 2" titanium dome compression driver (with a 3" voice coil) is the not-so-secret ingredient to help get your vocals soaring where they need to. Hd32a weighs in at 18.6 kg, and looks set to be a big part of the future for rcf powered speakers. Features: 1400 watt peak, 700 watt rms Digital bi-amp Dsp sound processing Rcf precision transducers 131 db max spl Rcf precision 3.0" voice coil compression driver, titanium dome Rcf precision 12" woofer
From the behringer website: Premium ultra-low noise, high headroom analog mixer 2 state-of-the-art xenyx mic preamps comparable to stand-alone boutique preamps Neo-classic "british" 3-band eqs for warm and musical sound 1 post fader fx send per channel for external fx devices 1 stereo aux return for fx applications or as separate stereo input Main mix outputs plus separate control room, phones and stereo cd/tape outputs Cd/tape inputs assignable to main mix or control room/phones outputs High-quality components and exceptionally rugged construction ensure long life.
