It's a non-volatile oil pressed from the seeds of the sunflower and is commonly used as an oil for frying. ... It's a non-volatile oil pressed from the seeds of the sunflower and is commonly used as an oil for frying. Refined Sunflower Seed Oil Product sunflower oil Processing Refined Transparency without lees Smell and taste depersonalized oil odourless Color number,mg of iodine â?¥ 10 Acid value,mg kon/g â?¥0.25 Mass fraction of not fat admixtures,% Absence Peroxide value,�½ O2 Mmol/kg â?¥ 2.0 Mass fraction of moisture and volatiles content,% â?¥ 0.10 Mass fraction of phosphorus-containing substances in terms of stearooleoletsytyn,% Absence Our sunflower oil corresponds to the Premium grade. Ideal for frying and for salads. This is a good nutritious food product rich in vitamin E, as it is produced by cold pressing without chemical extraction. In the refining process, chemical solvents are also not used, which leaves the oil even after refining very rich in vitamins and vegetable fats with a minimum oxidation index, which gives an shelf life of up to 18 months. I am sure you will be glad to have in your arsenal our competitive oil at a price corresponding to quality.
Prilled urea is a form of nitrogen-rich solid fertilizer that has the ability to dissolve quickly in water. Prilled urea is more commonly used today to resist breaking down when mixing with other fertilizer components like Potassium chloride. It is also known as ice melting or deicing urea since it can reduce ice efficiently, even at very low temperatures.
Bitumen penetration grade 60/70 is semi-hard penetration grade bitumen using as paving grade bitumen suitable for road construction and repair conjointly for the production of asphalt pavements with below technical specifications. This grade of bitumen is mainly used in the manufacture of hot combine asphalt for bases and wearing courses. Bitumen 60/70 is the most used bitumen grade and basic material for all alternative bituminous products. Bitumen Penetration Grade 60/70 is mainly used in the manufacture of hot mix asphalt for bases and wearing courses. Penetration Grade Bitumen supplied by RAHA GROUP is petroleum grade bitumen, manufactured from fractional / vacuum distillation of crude oil. The Bitumen supplied by RAHA GROUP is produced from vacuum residue (short residue) feedstock. RAHA Penetration Grade bitumens are specified by the penetration and softening point test. The designation is by penetration range only. The penetration grade bitumens have a thermoplastic property which causes the material to soften at high temperatures and to harden at lower temperatures. This unique temperature/ viscosity relationship is important when determining the performance parameters such as the adhesion, rheology, durability and application temperatures of bitumen.
Bitumen Penetration Grade 85/100 is a standard penetration grade Bitumen usually used as a Paving Grade Bitumen suitable for road construction and for the production of asphalt pavements with superior properties. This grade of Bitumen is mainly used in the manufacture of hot mix asphalt for bases and wearing courses. is petroleum grade bitumen, manufactured from fractional / vacuum distillation of crude oil. This bitumen is produced through aeration on vacuum bottom (the raw material used for making bitumen left in vacuum distillation column in oil refineries) in bitumen production units. Its penetration grade ( the measure of bitumen hardness) is between 85 to 100. Penetration Grade bitumens are specified by the penetration and softening point test. The designation is by penetration range only. The penetration grade bitumens have a thermoplastic property which causes the material to soften at high temperatures and to harden at lower temperatures. This unique temperature/ viscosity relationship is important when determining the performance parameters such as the adhesion, rheology, durability and application temperatures of bitumen. The Bitumen mode is dependent on temperature. The temperature-vs-stiffness relationship of bitumen is dependent on the type of crude oil and its refining method. Bitumen penetration grade 85/100 is semi hard penetration grade bitumen used as a paving grade bitumen which is suitable for road construction and repair. It is also used for the production of asphalt pavements with the below technical specification. This grade of bitumen is mainly used in the manufacturing of hot mix asphalt for bases and wearing courses. Bitumen 85/100 is one of the most used bitumen grades and a basic material for all other bituminous products. Penetration determines the hardness of bitumen by measuring the depth to which a standard loaded the needle will vertically penetrate in 5 seconds, in a sample of bitumen maintained at a temperature of 25 degrees Celsius.
Pure sulfuric acid does not occur naturally due to its strong affinity to water vapor; it is hygroscopic and readily absorbs water vapor from the air. Concentrated sulfuric acid is highly corrosive towards other materials, from rocks to metals, since it is an oxidant with powerful dehydrating properties. Phosphorus pentoxide is a notable exception in that it is not dehydrated by sulfuric acid but, to the contrary, dehydrates sulfuric acid to sulfur trioxide. Upon addition of sulfuric acid to water, a considerable amount of heat is released; thus, the reverse procedure of adding water to the acid should not be performed since the heat released may boil the solution, spraying droplets of hot acid during the process. Upon contact with body tissue, sulfuric acid can cause severe acidic chemical burns and even secondary thermal burns due to dehydration. Dilute sulfuric acid is substantially less hazardous without the oxidative and dehydrating properties; however, it should still be handled with care for its acidity.
Moringa oil, derived from the seeds of the Moringa oleifera tree, is celebrated for its numerous benefits and versatile applications. Rich in antioxidants, essential fatty acids, and vitamins, it offers moisturizing and anti-aging properties for the skin, promotes hair growth and nourishment, and supports heart health by aiding in cholesterol management. The oil is typically extracted through cold-pressing methods to preserve its nutritional profile, resulting in a pale yellow liquid with a nutty aroma and comes in different grades such as refined, unrefined, and organic. Our packaging varies depending on its intended use, with sizes ranging from small 30ml bottles for personal skincare to bulk packaging of 1-liter, 5-liter, or even 25-liter containers for industrial or wholesale purposes. For larger quantities, moringa oil is often packed in durable plastic or metal drums to ensure safe shipping and storage.
Free size dresses, free size shirts, Packing bags each, and then sealed in a box
Contact us for wholesale and custom handmade costumes
Contact us for wholesale and custom handmade costumes for actors and actresses
Fashion dresses.Design , package , export documentation and arrange custom clearing
Mens & ladies jeans.
Hijab, abayas and kaftans.
Night Dress.
Ethnic & batik garments, cloths.Buying
African art, african handbags(kyondo), african wear(kitenge, shula, maasai sandals), Charcoal(for sheesha).
Our stock are of limited quantities. Bras, panties, night wear, sexy wear of high quality are readily available in Kenya. Bras sizes 30A - 46F Other products sizes S -XXLÂÂ.
Muslim wear, men wear, kanzu, omani, thobe, ghutra, bisht, serwal, izar, turban, women wear, burqa, hijab, abaya, salwar kameez, kaftans, tunics, niqab, khimar, other wear like trouser and shirts.
The banana fibre products are popular for their household utility use. These are items like laundry basket, office waste paper basket, and fruit or egg trays. There are also banana fibre products that serve as house deco. These are art scenes depicting African culture, animals, and nativity products. Of late, the Kikuyu ethnic women community from central province have introduced Banana fiber "Kiondo" basket. Unlike the sisal baskets, the banana fibre "kiondo" do not need any colouring. As for the hand woven banana fibre basketry, the producers are based in Central and western province and even in slum areas. 90% of banana fibre basketry producers are middle-aged women who make the banana basketry to supplement their sources of income. It is also an activity that instills a sense of belonging and security. Most of the producers lifetime dream is to educate their children and acquire or build a better house which has a security of tenure. Like in most slum areas, a majority of the women take both the role of the bread earner and house head. There are many reasons behind it such as having been widowed, divorced or even migrated from rural areas in search of greener pastures in Nairobi just to find themselves in the slum life. Traditionally unlike men, women do not have property right or inherit from their place of origin thus rural land. Therefore their best alternative is to adapt to urban slum life where basic social amenities are not only lacking but inadequate to serve the usually high population of maginalized citizens. The problems that face the slum community and their rural counterpart is poverty and unemployment. Many of the slum dwellers rely on unreliable source of income such as temporary construction work while their women combine their respective source of income with child rearing among other household chores. In order to fight the odds against them, women unlike men have formed their own Banana fibre groups. The common objective is to work as a team as a way of seeking recognition and to empower the group members. This is realised through networking with the powers that be. These women slum groups, source the banana fibre raw material from the rural areas where banana plant is grown. The fibre are collected from the garden while dry and later softened by soaking the fibre overnight before usage.
When we talk of God given talents, the word is often well expressed through the works of Batik Post cards, Batik artworks and other forms of artwork. Ordinarily, these artworks are made by outgoing talented individuals artists. Most of them undergo their training at various institutions in the country such as the young men Christian Association (YMCA). The Kenya Polytechnic and Youth Polytechnics formerly known as Village Polytechnics. Some develop the artistic talent or skill through the hand of more experienced artists or through encouragement from friends and relatives. Many of the artists come from rural, urban and pre-urban squatter villages. Almost all of them are married and as such their use of God given talent is so handy as their main source of income. A majority of the artist operate at their respective homesteads. It is a thing which is not only cost effective but of added value to building the family social and cultural bond. The selling of Batiks, cards and other forms of artworks is often done by individual artists and in rare cases by a group of artists who come together as a means of attaining socio-economic gains. This is done in the spirit of seeking recognition which would otherwise not be possible to be accomplished or realized by working in isolation. This kind of initiative is informed by the fact that groups attract assistance more easily than an individual. Most of the products that the artist are able to come up with using natural material, display a significant touch of cultural value or national heritage. It is indeed impossible to enumerate each and every single item that come out of these creative individual artisans/brains. The materials used are cotton clothes or silk, various dyes for colouring, wax to separate colours, while iron charcoal box is used to clear off wax. The production process is quite involving and labour intensive. The use of natural material is already growing popular in that even maize cobs, water plants and other types of leaves are now handy in the hands of creative artist. Some of the products made are things like Bird figures, Christmas tree decos, wall hangings, animals, traditional homesteads or Kenyan people in their ethnic attires such as the Maasais, Pokots, Turkana, etc. Each batik piece of work can be produced according to the customer's tastes and interests in terms of colour, design etc. Many of the art does give insights that express value of life and people's culture thus depicting natural heritage e.g. wildlife birds, animals, people including abstract art e.t.c. In recent years, some artist have come up with Batik bone designed house utility items like spoons, knives, Beer opener or even cultural custom dress etc.
Dolls and Toys making using locally available recycled materials is increasingly gaining popularity as an income generating activity particularly with the slum women dwellers. There are many other individual women artisans with similar skills who are already involved in making dolls as a source of income. For a majority of these women, it is a means towards self-reliance. All the toy and doll makers operate from their respective home environment. The women group is comprised of single as well married mothers, who supplement their socio-economic basic needs through making of dolls and toys. There are other women groups in the rural areas of Central province who specialize in traditional doll making using raw materials like maize husks, wood and pieces of rags. Other materials used include "clothes left over". These are bought from various tailor shops. Such wrap up materials are used in making the innovative and ingenious wire bicycle like among others, the riding man or ingeniously made flapping/flying birds. As for the women dolls, materials used are tree bark, beads, and sisal materials. What makes some of the dolls to be more traditional in appearance is that they are dressed with traditional costume or attire. So are the ornamental items. The popular traditional dolls are Turkana "mama", Giriama Dancer, Kikuyu dancer, Maasai warrior, Miss Maasai, Coast lady in their Muslim veil, the mama na mtoto (mother and child), jambo/hello boy and safari dolls such as Zebra, Monkey and Giraffe dolls. The materials used to make most of these dolls and toys are sourced locally. The creativity and enterprising zeal and imaginations of dolls and toys producers extend beyond the Kenyan boarders in that these producers have been able to come up with dolls wearing other African countries' national attire. These dolls are the Ugandan lady, Nigerian lady, Sudan beauty queen including Christmas nativity products. The workmanship on the African dolls is of high quality. However, the ware bicycles and flying like bird are quite an innovative piece of work that arouses curiosity among children particularly boys while girls show interest in other type of african dolls and wire toys.
