Price - Rs 499.00 Type: Brass Bells for Pooja Room Religious Idol & Figurine Material: Brass Suitable For: Table Dimensions: 4 x 2 x 2 inches Weight: 140 gm Brass Bells for Pooja Room : An Artistic Creation by Shreeyaash Brass Bells for Pooja Room is also known as Brass Garuda Bell, otherwise called the Garuda Ghanti, is a brass chime that is generally utilized in Hindu sanctuaries and is known for its remarkable sound. The Garuda Ringer is named after Garuda, a Hindu god and the mount of Master Vishnu, who is many times portrayed grasping a chime. The Garuda Ringer is viewed as a consecrated item and is accepted to have the ability to avoid underhanded spirits and negative energy. One of the best instances of the Garuda Ringer is the Brass Garuda Chime made by Shreeyaash, a main maker of brassware in India. Shreeyaash is known for its stunning craftsmanship and meticulousness, and the Brass Garuda Ringer is a demonstration of their expertise and skill. Design and Features of Brass Bells for Pooja Room The Brass Bells for Pooja Room is a wonderful piece of workmanship that features the complex plans and examples that are common of Hindu craftsmanship. The chime is made totally of brass and is decorated with perplexing carvings of Garuda, Master Vishnuâ??s mount. The plan highlights Garuda with his wings spread, prepared to take off, and holding the chime in his mouth. The ringer is likewise enhanced with other Hindu images, for example, the lotus bloom, which is an image of immaculateness and illumination, and the Om image, which addresses the universe. The chimeâ??s handle is formed like a snake, which is an image of shrewdness and security in Hindu folklore. Sound Quality The sound nature of the Brass Bells for Pooja Room is outstanding and is one reason it is so profoundly respected. The ringer creates a rich, profound sound that is accepted to have the influence to purge the general climate and dissipate negative energy. The chime's sound is likewise said to affect the psyche and body, making it ideal for use in reflection and otherworldly practices